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But Faces was Mac fully coming into his own as an all-around musician, opening up about mortality, love, and drugs with real candor, while exploring fresh sonic territory. It’s not exactly the fork in the road moment of Mac’s career-that would be 2013’s Watching Movies with the Sound Off, the ambitious, acclaimed second studio album that helped redefine Mac as a serious artist.
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Originally released in May 2014, Faces is officially on all streaming platforms as of October 15. But to some extent, at the time, it really was me staring at 20-something songs going ‘I have a week to make these sound as good as I can.’” “I didn’t fully appreciate how it would sit in his catalogue and I think it occupies a really important place now. “My first reaction was ‘Holy fuck this is a lot of songs done relatively quick,’” E.
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The movie-length collection of out-there tunes features some of Miller’s most moving work, and it’s also a testament to the freeform manner in which the Pittsburgh-born artist had been making music since relocating to Los Angeles in June 2012. Long before it was one of the most beloved releases of the 2010s mixtape era and a career-shifter for Mac Miller, Faces was a “behemoth project” sitting in the inbox of his longtime producer and mixer E.
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